The story
starts with a Hitchcockian flourish: An English couple, Perry (McGregor), a poetics
professor, and his wife Gail (Harris), a barrister, are vacationing in Morocco,
when they are befriended by a charismatic, mysteriously wealthy, aggressively
convivial Russian (Skarsgård). Then this guy asks Perry to do him
a favor, one thing leads to another and pretty soon Perry and Gail are caught
up in international intrigue, with the Russian mob after them, British
Intelligence manipulating them, and the lives of the Russian and his family
(not to mention themselves) on the line. Money, loyalty, the British banking
system, political corruption, marital infidelity – you name it, it gets pretty
complicated.
This is just
the second feature film for director Susanna White who, for the past 15 years,
has honed her craft as the director of several TV mini-series, among them the
BBC/PBS produced Bleak House (2005)
and Jane Eyre (2006), and the BBC/HBO
production of Parade’s End (2012). Here,
she displays a deft touch with actors and action, keeping things moving,
pausing to allow the characters (and us) to learn new facts, and ponder new
perils. Not that this is an action film in the modern sense – there are no extravagant
bloodbaths, ultra-elaborate car chases, or highway mayhem, There’s but one
explosion that I can recall, no explicit sex, and limited salaciousness of any
sort.
(Okay, in the
interest of full disclosure: Our Kind Of Traitor has earned an “R”
rating from the folks at MPAA “for violence,
language throughout, some sexuality, nudity and brief drug use”. Technically accurate, I guess, but frankly I think the R derives
primarily from the fact that the nudity includes a glimpse of male genitalia.)
Anyhow, Our
Kind of Traitor is an intelligent,
old fashioned thriller, a bit of a rarity nowadays – and my kind of movie.
One hour forty-eight minutes.
In semi-wide release.
[* A tip of the hat to BD, from whom I essentially cribbed the rather succinct opening summary.]
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