Looking at a lot of male oriented heist movies – such as
(taking a random sample) Steven Soderbergh’s Ocean’s Eleven, Ocean’s Twelve
and Ocean’s Thirteen series of movies
– it seems that the guys pulling off the job are having a pretty great time of
it. Ostensibly it’s about the money, but it’s always something more
than that. For Danny Ocean (George Clooney) in Ocean’s Eleven it’s revenge. For the rest of the gang, money may
have been the initial bait, but after that caper – in which they each got
around $15 mill – Danny and the boys do it because they like it. Oh sure, the
plot of each picture manufactures other reasons, but let’s face it, those
reasons are awfully flimsy. Really, it’s just the joy of pulling the thing off.
As it turns out, women want to have fun, too. And why not?
Don’t we all? In real life, we had the late19th century stagecoach robber Pearl
Hart; in the 1930s, we had restive Bonnie Parker, who preferred banks, and
worked with a guy named Clyde; and more recently , with a career spanning
the1950s until her most recent arrest just last year, there’s the indefatigable
jewel thief Doris Payne (now 87).
Here, our fun comes from a very entertaining movie, by turns
funny, clever and suave. With a predominantly female cast and perspective, Ocean’s
8 offers a somewhat different approach to the caper film: there are no
fist fights, no car chases, no guns, and no explosions. There are, however, glamour, ingenuity, beauty, and more than a little manipulation of the opposite sex. The magnetism
of its stars and smart pacing keep us interested; writer-director Gary Ross - Big (1988), Seabiscuit (2003), The Hunger
Games (2012) - knows how to engage an audience and move things along.
To commit a heist – especially a major one such as the job
envisioned by ringleader Debbie Ocean (Sandra Bullock) in this new film - in which she
hopes to steal a one-of-a-kind $150 million diamond necklace in the midst of New
York’s Met Gala, perhaps the poshest, most celebrated social event in the world
– one needs a detailed plan. A blueprint not just for how to do it but also how
to deal with any flies in the ointment, contingencies that might screw things
up land one back in the klink. For as Robert Burns put it, The best laid schemes o’ mice an’ men gang aft a-gley.
As in Ocean’s Eleven,
the story in Ocean’s 8 begins with a parole hearing for the chief
protagonist – Danny Ocean in the first movie, Debbie Ocean in the new one. Debbie has been locked up for over five years, during which she came up with her grand scheme and painstakingly worked
out the details. She says that for the
first three years, she kept getting caught [in her mind] for one reason or
another and made adjustments accordingly. Over the last two years, no matter how she
imagined it, the plan always succeeded. Now its perfect, or so she believes.
At her parole hearing, Debbie acknowledges complicity in
the fraud for which she was jailed, but explains that it was actually
inadvertent: she had been in love, so she thought, with a bad guy. She was just
along for the ride, she says. Now, says she, the lesson has been learned, and she wants nothing
more than a simple, ordinary, honest life. Her notorious brother Danny is dead,
and she would never, ever try to follow in his felonious footsteps. The parole
board buys this.
As soon as she’s out, of course, Debbie is off and running with
her new plan.
We get the obligatory scenes showing Debbie assembling her
team. First, she recruits former partner, Lou (Cate Blanchette), who has been living
off the low-end fraud of watering down liquor at a tavern, but who still needs
a little convincing. Together they make their pitch to the rest of the crew,
one at a time: There’s Rose, a formerly voguish, ditzy fashion designer played
inimitably by Helena Bonham Carter. Then there's Amita (Mindy Kaling), a jewelry maker, who is glad
to go on an adventure that may provide the means to finally get away from her
mother. Next is a brilliant and hip computer hacker who calls herself Nine Ball
(Rihanna, in a surprisingly cool performance); Constance, a pickpocket and
sleight-of-hand artist played by rapper and up-and-coming actress, Awkwafina;
and Debbie’s old friend Tammy (Sarah Paulson) a former fence, who is trying to
live the suburban lifestyle with a husband and kids, while still dealing
stolen goods out of her garage. Finally, there’s Anne Hathaway, in a terrific, sly
performance as society fashion plate, Daphne Kluger, who gets dragooned into
the plot as a key player, albeit without her knowledge. Not a bad cast, eh?
As a bit of a bonus and an order to add some verisimilitude
to scenes at the gala where the real action occurs, we get cameos by a number
of celebrities such as Heidi Klum, Kim Kardashian, Katie Holmes and Common.
There are some other notable men as well. Elliot Gould
briefly reprises his role as Reuben from the Soderbergh/Clooney films. Richard
Armitage (The Hobbit trilogy) is
featured as an art dealer/con artist called Claude who somehow combines the
qualities of handsome charmer, evil slimeball, and hapless dupe. British
comedian and Late Late Show host James Corden shines as an insurance
investigator brought in after the heist to try and determine whodunnit. And
there’s Shaobo Qin as “The Amazing Yen”, whose role I can’t describe without spoiling
the plot (so I won’t, other than to say his exploits also feature in Ocean’s Eleven, Twelve and Thirteen).
The scheme is pretty nifty, and the action is in the build up to and execution of the heist
and how the protagonists – especially Bullock, Paulson and Carter - deal with unexpected
twists and turns along the way. It’s not exactly edge-of-the seat stuff, but it
is engaging and thrilling. As in most films of this genre, one
has to suspend disbelief a bit. Yet this picture sweeps the viewer along in such
a merry Hollywood style that I, at least, was happy to be swept. There’s
nothing crude or mean spirited here, unlike the less successful Soderbergh “comeback”
heist movie Logan Lucky last summer.
All-in-all, Ocean’s 8 is a fun summer popcorn movie.
1 hour 50
minutes Rated PG-13
Grade: B+
In general
release
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